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Joan Kee is an art historian and critic whose books include Contemporary Korean Art: Tansaekhwa and the Urgency of Method (2013) and Models of Integrity: Art and Law in Post Sixties America (2019). A contributing editor to Artforum, she has published over one hundred texts on contemporary art on a range of topics from Afro-Asian artistic intersections to cultural appropriation in such venues as Afterimage, the Brooklyn Rail, e-flux, Frieze, Hyperallergic, the Venice Biennale, and the National Gallery of Singapore.

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